You have not been recognized as a subscriber to the AHR online. About 184 words from this article are provided below; about 601 words remain.
 
If you are a individual member of the American Historical Association, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time. AHA members can go to the AHA individual membership section to locate their member numbers.

If you are not a member of the American Historical Association, you can:
• Join the AHA and receive many member benefits including print and electronic issues of the American Historical Review.
• Purchase a research pass to gain two hour access to the entire History Cooperative web site. You will have full access to current issues of the American Historical Review (104.3-present). Note: the Research Pass does not provide access to JSTOR's holdings of the American Historical Review.

Instititutions can:
• Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The American Historical Review, 107.3 | The History Cooperative
107.3  
Journals link Search link Partners link Information link
June, 2002
Previous
Table of Contents
Next
The American Historical Review

Table of contents
List journal issues
Home
Get a printer-friendly version of this page
 
 


Book Review

Canada and the United States


Joseph McBride. Searching for John Ford: A Life. New York: St. Martin's Press. 2001. Pp. 838. $40.00.

Joseph McBride, author of a number of important books on motion picture directors, has produced an enormous tome (812 pages) that effectively showcases John Ford as one of Hollywood's greatest artists. The lengthy treatment is justified. Ford made 226 films between 1917 and 1970 (including 87 documentaries) and directed 137 of them. Many of his films are of considerable interest to historians because they created influential images of the past. Among the most important dramatic features are The Iron Horse (1924), Stagecoach (1939), Young Mr. Lincoln (1939), Drums Along the Mohawk (1939), The Grapes of Wrath (1940), How Green Was My Valley (1941), They Were Expendable (1945), My Darling Clementine (1946), Fort Apache (1948), She Wore a Yellow Ribbon (1949), Rio Grande (1950), The Searchers (1956), The Last Hurrah (1958), The Man Who Shot Liberty Valance (1962), and Cheyenne Autumn (1964). Included, too, are fascinating commentaries on Ford's wartime documentaries, especially The Battle of Midway (1942). . . .


There are about 601 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.